Being a producer in the Pacific northwest, you have to sacrifice a lot of beautiful days to sit in a dark, smelly, windowless room staring at monitors and pushing buttons and moving faders and remembering to stand up and stretch. It's worth it when the music comes out good.Today, final Black Daisy mixes were completed while the sun gave a new life to Seattle residents who suffered through last week's horror and a couple of nasty storms earlier this week. Next up, I will be hiding out in the studio to tweek the fuck out of the new Lights album. So close, by the way. KEXP apparently has some secret leaked mixes (I'm not even sure they have titles) that get played every once in a while. Like I said before, the mixes we did when we left the studio were great, but they will soon be spectacular.
This summer, I will be heading into the studio with Redwood Plan to make my contribution to their upcoming album. Not sure who else they're working with, but I'm sure it's going to be a fabulous record. Haven't set dates with Devices yet, but I'm hoping that happens sooner than later.
During all this, I will also be working on new Erik Blood material and a collaborative effort between me and Altspeak. Speaking of Altspeak, if you haven't downloaded "It's Up to You" yet (it's fucking free!!!) you better get your ass to
www.altspeak.com and download it. That's one slept on record, my friends.
Tonight at Lo-Fi in Seattle, Andy Rourke from The Smiths is DJing after performances by Romance, Altspeak, Coulter, and Pedestre. That's quite a line-up and well worth the price of admission, whatever it is. I'll be there until I go celebrate a certain
awesome-colored friend's birthday.
More to come...
Getting really excited for next week's 'Mo-Wave Festival. Three days of queer music and art at Chop Suey, Wildrose, and Pony. The line-up is amazing and I'm honored to be among the performers. Check it out here.
